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A major · Modal interchange

Borrowed chords in A major

A borrowed chord comes from a scale that shares A major's tonic but not all of its notes. Across the seven parallel scales close enough to borrow from, there are 42 chords to borrow. The ones heard most come from A minor: Dm and F.

From A Lydian

A Lydian shares 6 of its 7 notes with A major. One note apart, so these chords sound like a gentle shift of colour.

  • Outside the key:

  • Outside the key:

  • Emaj7Vmaj7

    Outside the key:

  • vii

    Outside the key:

  • vii7

    Outside the key:

  • BII

    Outside the key:

  • B7II7

    Outside the key:

From A Mixolydian

A Mixolydian shares 6 of its 7 notes with A major. One note apart, so these chords sound like a gentle shift of colour.

  • iii°

    Outside the key: G

  • iiiø7

    Outside the key: G

  • Emv

    E G B

    Outside the key: G

  • Em7v7

    E G B D

    Outside the key: G

  • G

    G B D

    Outside the key: G

  • Gmaj7

    Outside the key: G

  • A7I7

    Outside the key: G

From A Dorian

A Dorian shares 5 of its 7 notes with A major. Two notes apart: a clear change of colour without leaving home.

  • C

    C E G

    Outside the key: C G

  • Cmaj7

    C E G B

    Outside the key: C G

  • D7IV7

    Outside the key: C

  • vi°

    Outside the key: C

  • viø7

    Outside the key: C

  • Ami

    A C E

    Outside the key: C

  • Am7i7

    A C E G

    Outside the key: C G

From A Aeolian

A Aeolian shares 4 of its 7 notes with A major. Further away, so these chords sound darker or stranger against the key.

  • Dmiv

    D F A

    Outside the key: F

  • Dm7iv7

    D F A C

    Outside the key: F C

  • F

    F A C

    Outside the key: F C

  • Fmaj7

    F A C E

    Outside the key: F C

  • G7

    G B D F

    Outside the key: G F

  • B°ii°

    B D F

    Outside the key: F

  • iiø7

    B D F A

    Outside the key: F

From A Phrygian

A Phrygian shares 3 of its 7 notes with A major. Further away, so these chords sound darker or stranger against the key.

  • C7

    Outside the key:

  • E°v°

    Outside the key:

  • vø7

    Outside the key:

  • Gm

    Outside the key:

  • Gm7

    Outside the key:

  • Outside the key:

  • Outside the key:

From A Harmonic Major

A Harmonic Major shares 6 of its 7 notes with A major. One note apart, so these chords sound like a gentle shift of colour.

  • DmMaj7ivmaj7

    Outside the key: F

  • F+

    Outside the key: F

  • Outside the key: F

  • vii°7

    Outside the key: F

From A Melodic Minor

A Melodic Minor shares 6 of its 7 notes with A major. One note apart, so these chords sound like a gentle shift of colour.

  • C+

    Outside the key: C

  • Outside the key: C

  • AmMaj7imaj7

    Outside the key: C

How borrowed chords sound

A borrowed chord keeps the tonic and changes the colour. The note it brings in is a note of the parallel scale, so the ear hears the same home with a different light on it. The minor iv and the flat VI are the classic examples: the moment a major key turns wistful without going anywhere.

In the app, section 2 teaches modal mixture: naming borrowed chords, hearing the borrowed colour, and where mixture sits on the tonic, subdominant and dominant axis.

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