B major · Modal interchange
Borrowed chords in B major








From B Lydian
B Lydian shares 6 of its 7 notes with B major. One note apart, so these chords sound like a gentle shift of colour.
- II
Outside the key:
- II7
Outside the key:
Outside the key:
Outside the key:
- Vmaj7
Outside the key:
- vii
Outside the key:
- vii7
Outside the key:
From B Mixolydian
B Mixolydian shares 6 of its 7 notes with B major. One note apart, so these chords sound like a gentle shift of colour.
- iii°
Outside the key: A
- iiiø7
Outside the key: A
- v
Outside the key: A
- v7
Outside the key: A
- A
Outside the key: A
- Amaj7
Outside the key: A
- B7I7
Outside the key: A
From B Dorian
B Dorian shares 5 of its 7 notes with B major. Two notes apart: a clear change of colour without leaving home.
- D
Outside the key: D A
- Dmaj7
Outside the key: D A
- E7IV7
Outside the key: D
- vi°
Outside the key: D
- viø7
Outside the key: D
- Bmi
Outside the key: D
- Bm7i7
Outside the key: D A
From B Aeolian
B Aeolian shares 4 of its 7 notes with B major. Further away, so these chords sound darker or stranger against the key.
- ii°
Outside the key: G
- iiø7
Outside the key: G
- Emiv
E G B
Outside the key: G
- Em7iv7
E G B D
Outside the key: G D
- G
G B D
Outside the key: G D
- Gmaj7
Outside the key: G D
- A7
Outside the key: A G
From B Phrygian
B Phrygian shares 3 of its 7 notes with B major. Further away, so these chords sound darker or stranger against the key.
- C
C E G
Outside the key: C G
- Cmaj7
C E G B
Outside the key: C G
- D7
Outside the key: D A C
- v°
Outside the key: A C
- vø7
Outside the key: A C
- Am
A C E
Outside the key: A C
- Am7
A C E G
Outside the key: A C G
From B Harmonic Major
B Harmonic Major shares 6 of its 7 notes with B major. One note apart, so these chords sound like a gentle shift of colour.
- EmMaj7ivmaj7
Outside the key: G
- G+
Outside the key: G
Outside the key: G
- vii°7
Outside the key: G
From B Melodic Minor
B Melodic Minor shares 6 of its 7 notes with B major. One note apart, so these chords sound like a gentle shift of colour.
- D+
Outside the key: D
Outside the key: D
- BmMaj7imaj7
Outside the key: D
How borrowed chords sound
A borrowed chord keeps the tonic and changes the colour. The note it brings in is a note of the parallel scale, so the ear hears the same home with a different light on it. The minor iv and the flat VI are the classic examples: the moment a major key turns wistful without going anywhere.
In the app, section 2 teaches modal mixture: naming borrowed chords, hearing the borrowed colour, and where mixture sits on the tonic, subdominant and dominant axis.