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E major · Modal interchange

Borrowed chords in E major

A borrowed chord comes from a scale that shares E major's tonic but not all of its notes. Across the seven parallel scales close enough to borrow from, there are 42 chords to borrow. The ones heard most come from E minor: C and Am.

From E Lydian

E Lydian shares 6 of its 7 notes with E major. One note apart, so these chords sound like a gentle shift of colour.

  • vii

    Outside the key:

  • vii7

    Outside the key:

  • II

    Outside the key:

  • II7

    Outside the key:

  • Outside the key:

  • Outside the key:

  • Bmaj7Vmaj7

    Outside the key:

From E Mixolydian

E Mixolydian shares 6 of its 7 notes with E major. One note apart, so these chords sound like a gentle shift of colour.

  • D

    Outside the key: D

  • Dmaj7

    Outside the key: D

  • E7I7

    Outside the key: D

  • iii°

    Outside the key: D

  • iiiø7

    Outside the key: D

  • Bmv

    Outside the key: D

  • Bm7v7

    Outside the key: D

From E Dorian

E Dorian shares 5 of its 7 notes with E major. Two notes apart: a clear change of colour without leaving home.

  • vi°

    Outside the key: G

  • viø7

    Outside the key: G

  • Emi

    E G B

    Outside the key: G

  • Em7i7

    E G B D

    Outside the key: G D

  • G

    G B D

    Outside the key: G D

  • Gmaj7

    Outside the key: G D

  • A7IV7

    Outside the key: G

From E Aeolian

E Aeolian shares 4 of its 7 notes with E major. Further away, so these chords sound darker or stranger against the key.

  • C

    C E G

    Outside the key: C G

  • Cmaj7

    C E G B

    Outside the key: C G

  • D7

    Outside the key: D C

  • ii°

    Outside the key: C

  • iiø7

    Outside the key: C

  • Amiv

    A C E

    Outside the key: C

  • Am7iv7

    A C E G

    Outside the key: C G

From E Phrygian

E Phrygian shares 3 of its 7 notes with E major. Further away, so these chords sound darker or stranger against the key.

  • Dm

    D F A

    Outside the key: D F

  • Dm7

    D F A C

    Outside the key: D F C

  • F

    F A C

    Outside the key: F C

  • Fmaj7

    F A C E

    Outside the key: F C

  • G7

    G B D F

    Outside the key: G D F

  • B°v°

    B D F

    Outside the key: D F

  • vø7

    B D F A

    Outside the key: D F

From E Harmonic Major

E Harmonic Major shares 6 of its 7 notes with E major. One note apart, so these chords sound like a gentle shift of colour.

  • C+

    Outside the key: C

  • Outside the key: C

  • vii°7

    Outside the key: C

  • AmMaj7ivmaj7

    Outside the key: C

From E Melodic Minor

E Melodic Minor shares 6 of its 7 notes with E major. One note apart, so these chords sound like a gentle shift of colour.

  • EmMaj7imaj7

    Outside the key: G

  • G+

    Outside the key: G

  • Outside the key: G

How borrowed chords sound

A borrowed chord keeps the tonic and changes the colour. The note it brings in is a note of the parallel scale, so the ear hears the same home with a different light on it. The minor iv and the flat VI are the classic examples: the moment a major key turns wistful without going anywhere.

In the app, section 2 teaches modal mixture: naming borrowed chords, hearing the borrowed colour, and where mixture sits on the tonic, subdominant and dominant axis.

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